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Tanjore Paintings - Understanding Art & Culture for UPSC IAS

India's rich culture, diverse heritage, and ancient history, tracing back to the Indus Valley civilization, make it a fascinating subject of study. The UPSC IAS prelims exam often includes questions on Indian Art and culture, Ancient India, Medieval India, and Current affairs. The old NCERT books of Ancient and Medieval India provide a fundamental reference for this exam.

A significant segment of the UPSC IAS Exam revolves around Art and culture, which is intertwined with the history of India. The UPSC has consistently asked a substantial number of questions from this area, particularly in the IAS Prelims exam. In this discussion, we delve into the intricacies of Tanjore paintings, an integral part of Indian Art and culture.

Tanjore Paintings: An Overview

tanjore painting krishna radha face

Image source: www.tarangarts.com

  • Originated in the 16th century during the Chola dynasty, Tanjore Paintings are a quintessential part of Indian Art.
  • The Rajus communities of Tanjore and the Naidus of Madurai were known to support and promote Tanjore Painting from the 16th to the 18th century.
  • These paintings are a classic representation of South Indian painting styles.
  • Native to the city of Tanjore in Tamil Nadu, they are locally referred to as ‘Palagai Padam’ as they are majorly done on solid wood planks.
  • The primary themes of Tanjore paintings revolve around Hindu Gods, Goddesses, and saints.
  • Characterized by solid composition, surface richness, and vibrant colours, these paintings are truly a visual treat.
  • Artists often use embellishments like semi-precious stones, pearls, and glass pieces to enhance the beauty of these paintings. The relief work lends them a three-dimensional effect.
  • The main character is always portrayed in the center of the painting.
  • The process of creating a Tanjore painting involves several steps, starting with the drawing of a preliminary sketch on the base.
  • The base is typically made of cloth and is pasted over a wooden base. The painting uses a mixture of chalk powder or zinc oxide with a water-soluble adhesive to spread on the base.
  • After the picture is drawn, it is decorated with diamond, lace, thread, cut glass, pearls, and even semi-precious stones.
  • Thanjavur painting has been recognized as a Geographical indication by the Government of India in 2007-08.

Further Reading:

Arts of Indus Valley
Arts of Mauryan Period
Later Mural Traditions
Frequently Asked Questions

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